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The Shores We Call Home: The Art of Carol Evans, by Carol Evans
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The mystical shores of coastal British Columbia hold boundless inspiration and an enigmatic spiritual presence for many who live along its various coves and inlets. For almost three decades, Carol Evans has been practicing and refining her art,creating stunning portrayals of the beautiful and rugged shores of Vancouver Island and the coastal mainland. Her intensity of colour and attention to the subtleties of light are trademarks of her increasingly popular watercolour paintings.
The Shores We Call Home contains over eighty of Evans' works, collected here in gorgeous full-colour reproductions that faithfully represent the startlingly vivid visions of the original watercolours, capturing the unique character of BC's exquisite shoreline landscape--a place like nowhere else on earth.
- Sales Rank: #1740957 in Books
- Brand: Brand: Harbour
- Published on: 2010-02-18
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .31" w x 10.00" l, .85 pounds
- Binding: Paperback
- 96 pages
- Used Book in Good Condition
About the Author
Carol Evans is a master watercolourist with her work achieving international acclaim as part of many group exhibitions and private collections worldwide. Her art has been published in two previous books of paintings: West Coast: Homeland of Mist, and Releasing the Light. She and her husband live on Salt Spring Island, British
Columbia.
Excerpt. � Reprinted by permission. All rights reserved.
I find book forewords confusing, don't you? I get them mixed up with prefaces. Difference is, a preface is written by the author of the book; a foreword is written by a friend or admirer of the author--ideally, somebody revered and influential, like say, Nelson Mandela or the Dalai Lama.
Then there's the spelling. I keep thinking it should be spelled "forward" but it's not--it's "foreword."
Some books go forward without a foreword and maybe this one should have too, because Nelson Mandela or the Dalai Lama I ain't. I'm a newspaper scribbler and a retired radio show host. On the other hand,I am definitely a friend and unquestionably an admirer of Carol Evans and her work--as is pretty well anyone who ever had the pleasure of encountering either. And I can't do much harm, because Carol Evans really doesn't need anybody's words to attract eyeballs to her splendid labours.
Seems like divine overkill, but Carol Evans is actually as beautiful in person as she is on canvas. She's an abidingly kind and gentle soul who punctuates her conversation with bawdy guffaws. She paints like an angel and laughs like Diamond Tooth Gertie. Ms. Evans is a West Coast girl, born and bred, and her art is pure West Coast, all mist and
sunshine, mountain scarp and tideline. She captures children frolicking in the surf as unerringly as she renders Haida elders with hard centuries etched in their faces. Eagles in flight and otters at play; a frog splayed out on a lily pad like a court jester in camouflage. An impossibly fragile rose; a fish boat doggedly ploughing a shimmering sea.
And oh, the water. Ye Gods, can the woman capture water. The glint and the glare of it; the lambent reflections and refractions of its flickering depths and shallows. Her brushes dance across the canvas, trailing water's near-inexhaustible palette of colours, from flinty, unforgiving obsidian through blues and browns and ochres to the softest, yielding greens. It's fitting that the medium she's chosen is watercolour, for she colours the waters with astonishing clarity and a magical perfection that can make your heart do backflips. But she doesn't think of it as "doing water." She calls it "releasing the light."
I asked Howard White, publisher of this book and a lifetime lover of all things West Coast, what he sees in a Carol Evans painting. "They open your eyes in a way that photographs can't," he says, "and in a way other paintings don't either. Usually, artists 'strip away' when they paint a canvas. Somehow Carol manages to include more rather than less. I'm doing the book because I love her paintings. When someone's work makes the hairs on your neck stand on end, I think she should be published."
Amen to that. The hairs on your neck are ready for this--are you?
Turn the page.
Release the light.
Arthur Black, 2009
Most helpful customer reviews
2 of 2 people found the following review helpful.
A souvenir encapsulating a little bit of the coast's inspirational magic
By Midwest Book Review
The Shores We Call Home: The Art of Carol Evans is an inexpensive, softcover artbook featuring over eighty of Carol Evans' sweeping artworks reproduced in full color. These landscapes portray the shores of coastal British Columbia in all its beauty and majesty, from ocean scenes to coastlines, waterfalls, and even a moving portrait of a young girl feeding swans. A joy to page through, The Shores We Call Home is particularly recommended for armchair travelers, or anyone who has visited British Columbia's shorelines and desires a souvenir encapsulating a little bit of the coast's inspirational magic.
2 of 2 people found the following review helpful.
Incredible
By carol chadwick
Carol Evans is an incredible watercolor artist, with her specialty being the shorelines, trees, but mostly the water scenes in the Northwest area of Canada. She captures the transparency of the water, and its ripples and reflections perhaps better than any watercolor painter I have had the privilege to view. This book is a treasure.
0 of 0 people found the following review helpful.
Wonderful skilled artist with loads of decent size plates of her paintings--this is the best of her books, so far...
By Tried n True
Wonderful book, loaded with many generous size prints of her artwork. Some of her better/best work is in this book--lots and lots of pictures of her work--most important in an art book--accompanied with personal stories of subject areas and her craft narratives. Some of the best artists are not discovered and I believe her time to explode into the Master class is near. I have two other of her books--they didn't have the more experienced quality of work as in this book. It's not a thick book, about a 1/4" thick but you spent a lot of time looking at every print trying to figure out her she painted that and this so the thin book does go a long way. Every artist has an enhanced skill in certain areas--hers is definitely water. I hope she does a video on her painting skills.
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