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Kiki's Memoirs, by KiKi
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- Sales Rank: #1295902 in Books
- Published on: 1996-11-21
- Released on: 1996-11-21
- Original language: English
- Number of items: 1
- Dimensions: .82" h x 7.50" w x 9.36" l,
- Binding: Hardcover
- 298 pages
From Publishers Weekly
Now as then a cultural curiosity, the resurrected reminiscences of 1920s Latin Quarter model "Kiki" appear with the original prefaces by artist Tsuguharu Foujita and Ernest Hemingway, the latter of whom described her as "a woman who was never a lady at any time." The French edition was released in 1929; an English translation was denied entry by U.S. customs the next year on grounds of obscenity, owing to the reproductions of paintings by Foujita and photographs by Man Ray that accompanied the slim text. An illegitimate village waif raised in poverty by her grandmother, Alice Prin was born in 1901. At 12 she joined her mother in Paris only to go off on her own at 14 as model for, then mistress to, a generation of sculptors, painters and photographers. Merely an amateur at more professional entertainment, she nevertheless sang in sleazy clubs, appeared in nine films, danced in Fernand Leger's Ballet Mecanique. Offered freely, her svelte body brought her fame without fortune. When journalist Henri Brocca arranged for publication of her memoir, and news spread that for 30 francs, one could acquire an autographed book and a kiss from Kiki, men discarded their dignity in the rush. Once depression and war put an end to her brand of frivolity, she contended that all she required was "an onion, a bit of bread, and a bottle of red," and she usually found "somebody to offer me that." Nearly forgotten, she survived into 1951. Putnam's 1930 translation evokes Kiki's childlike qualities. Insubstantial despite the prefaces, dozens of illustrations, including the author's own naif pictures, and?as supplement?three autobiographical articles for a Paris paper in 1950 that repeat much of the memoir, Kiki's offering is more artifact than art. Kluver and Martin are the coauthors of Kiki's Paris.
Copyright 1996 Reed Business Information, Inc.
From Booklist
Known as the queen of Montparnasse, Kiki was the quintessential artists' muse and model. She epitomized the verve of 1920s Paris--with her strong and alluring face and graceful and voluptuous body--and became a modern icon in the photographs of her longtime lover, Man Ray. Kiki and her circle were presented with great flair in Kiki's Paris (1989), and now this lovingly produced edition of her memoirs, introduced by Ernest Hemingway and illustrated with her charming drawings and Man Ray's striking portraits, offers an intimate perspective on her personality and life. First published in 1929 and promptly banned in the U.S., Kiki's account of herself as a "love child" who suffered profound emotional and physical deprivation is a work of great wit and elan. She wrote about her youth again for a Paris newspaper, just a few years before her death, and these reminiscences are frank, elegantly understated, and truly moving. Kiki survived her brutal youth with intelligence and humor, making her way to the very heart of the art world where her uninhibited sexuality, theatricality, and abundant joie de vivre ensured her a life of spirited and celebrated improvisation. Viva la Kiki! Donna Seaman
Review
Even as late as the 1970s, the memoirs--short, fanciful vignettes about Kiki's sexually adventurous existence in Paris--were still held in the section for banned books in the New York Public Library. Billy Kluver and Jule Martin, the editors of a lively new edition, Kiki's Memoirs, have included fresh biographical material, familiar as well as lesser-known photographs of Kiki by Man Ray, portraits by other artists and reproductions of Kiki's own paintings. Though hardly the stuff of scandal today, Kiki's Memoirs is nonetheless suffused with a wayward charm as insouciant as Kiki herself. -- The New York Times Book Review, Andrea Barnet
This fine survey of the model who became a 1920s French star appears in English translation for the first time, includes introductions by Ernest Hemingway and Foujita, and features many unpublished Man Ray photos. Any involved in the arts will find this a fine survey of both Kiki's life and the Paris modeling scene of the 1920s, spiced with potent photos by Man Ray. -- Midwest Book Review
Most helpful customer reviews
1 of 1 people found the following review helpful.
KIKI WAS A LEGEND IN HER OWN TIME AND CONTINUES ...
By philoruby
KIKI WAS A LEGEND IN HER OWN TIME AND CONTINUES TO FASCINATE. IMMERSE YOURSELF IN THE PERIOD. ANOTHER BOOK OF THE PERIOD IS: "KIKI'S PARIS, ARTISTS AND LOVERS 1900-1930"
6 of 6 people found the following review helpful.
Wonderful!
By A Customer
This is Kiki in Kiki's own voice, no one could say it better.This is a wonderful book for those who love Bohemian Paris, and even those who don't.
10 of 11 people found the following review helpful.
Souvenirs of Kiki's Memoirs
By Kikiphile
Being a veritable Kiki virgin before I read this book, I found Kiki's Memoirs more than helpful in showing the atmosphere of 1920's Paris. I did, however, agree with Ernest Hemingway's sentiments from his introdution-it is impossible to translate Kiki's words very well. It seems like Samuel Putnam was unable to get more than four sentences out without putting in an exclamation mark. This breaks the narrative up considerably. I would have given this book three stars, but I loved the Man Ray photos in it. The real strength of this book lies in the artwork.
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