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Solitude and Other Stories represents Arturo Vivante's quest to use writing to uncover hidden truths. These twenty-four short stories - set in Italy, New England, and Canada - explore various themes, including, as the title story says, solitude. Vivante begins the narrative with a self-oblivious solitude that will become loneliness. Day after day, night after night, Vivante's narrator becomes aware of his isolation, and he decides to seek the company of others. Companionship, therefore, becomes another theme developed in these stories. Although not explicitly autobiographical, many of these stories do have an autobiographical tone. Vivante writes about things that may have happened in his life. His stories often stem from the observation of a bright or meaningful moment, and always center on exploring the ideas and emotions of his characters. Written with clarity, simplicity, and sincerity, Solitude and Other Stories is a lovely collection from an accomplished author.
- Sales Rank: #832102 in Books
- Published on: 2004-03
- Original language: English
- Number of items: 1
- Dimensions: .65" h x 5.56" w x 8.56" l,
- Binding: Paperback
- 199 pages
Review
"The author so calmly and transparently understates, his touch is so gentle, that for quite a while you don't realize you are being led by the hand through mighty strange places, along those twisty byways that on a map would make the heart seem such a maze."
About the Author
Arturo Vivante was born in Rome in 1923 and grew up in Italy, England, and Canada. He earned a medical doctorate from Rome University in 1949, but left his medical practice in the mid-1950s when his short stories began to be published. Seventy of his short stories have appeared in the New Yorker. He has published two novels, five short-story collections, and a book of poetry, Vivante has received numerous awards, including a Fulbright, a Guggenheim Fellowship, and an award from the American Academy. He currently resides in Cape Cod, Massachusetts.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Searching for human connection
By Merrill Joan Gerber
Los Angeles Times Book Review, July 24, 2005
Solitude And Other Stories by Arturo Vivante University of Notre Dame Press: 202 pp., $35 cloth, $16.50 paper
By Merrill Joan Gerber, Merrill Joan Gerber is the author of "This Is a Voice From Your Past: New and Selected Stories" and "Glimmering Girls: A Novel of the Fifties."
Unlike Chekhov, who called medicine his lawful wife and literature his mistress, Arturo Vivante gave up medicine entirely when, as a young doctor in Rome, he began to sell his stories to the New Yorker and decided writing was his true calling. Both professions require attention to the dimensions of suffering and pain, although Vivante seems to have been drawn more to the pain of the psyche than to the pain of the body. In "Solitude, and Other Stories," Vivante muses on the essential loneliness of our human existence and our yearning for connection. He describes with delicacy and passion those precious moments when we reach out to another person, or, in some cases, to another creature of nature, and there is a vivid response.
Many of the tales in "Solitude" are narrated by an itinerant professor who, like Vivante himself, travels far from home to teach at colleges across the United States. In "The Cricket," the professor is alone in a college-owned house where there is no other creature but a cricket. He is attuned to the cricket's noises; he comes to depend on the sound and its variations. "The shrill, piercing note had a ubiquitous quality. It filled the room the way its companions outdoors filled the night. The only difference was that outside a choir was playing; this was a solo. And his only company. Playing for him." When another professor arrives and in total indifference stomps on the cricket, the narrator is horrified.
In "Reflection," a middle-aged man admires the beautiful hair of a young woman sitting in front of him on a train. He recalls how his wife has criticized him for his interest in young women, and his daughter once called him a fool for admiring, at a funeral, a girl with "a magnificent shock of red hair." He thinks: "Why should one ignore beauty at whatever age, of whatever age, and anywhere, anytime, even at a funeral service?"
"Crosscurrents" describes a man who is low in spirits and without energy but longs to engage in life. Set in Cape Cod, where Vivante has lived for many years, the man lies in bed and feels the wind beckon him to go sailing. "But still he lay, anchored by a sense of inertia and dejection to the bed." When finally he goes out to sail, "[h]e felt more alive in this shaky old boat than in the safety of his bed. Did speed, instability, danger make one more aware of life than stillness, security, safety? If so ... sail out into the open sea. Yes, leave all sluggishness behind."
Vivante is a master of capturing the essence of a moment. In "Doves" he describes the courtship of two pigeons, "their iridescent plumage glorious in the sun ... their beaks joined as in a kiss.... Then she stood still and crouched while he hopped behind her .... The union lasted no more than a few seconds, but in that time, hidden by the softness of their plumes, in momentary darkness, the fluid of love and life was duly transmitted."
Love is a primary force in these stories, although not necessarily the love of a man and his wife. Often, the man, far from home, seeks the comfort of an available woman. In "Osage Orange," the narrator thinks of a line from a novel: "I've never had anything approaching a successful love affair," and he remembers a night he spent with a woman � "It had been no affair. It had been merely a night � not even a whole night.... Later, in the extreme moment of passion, she gave a cry that seemed to him to fill not just the room and house but the whole town, and to go out like a wave ... it was a cry, he thought, 'such as made the world in the beginning,' primeval, belonging to no time and to all time."
In "Company," the traveling man comes home for a weekend to see his wife, although "[h]er visits to his bedroom became rarer and rarer, till, some ten years ago, they stopped altogether." He finds his wife petting the cat and he longs to be petted by her in so tender a way. She rejects him and says, "Well, you wanted it this way ... you and all your girlfriends." "What girlfriends?" he asks, but so faintly that she doesn't reply.
Vivante's stories shine with intensity and passion; they tell the stories of the human heart in prose that is lyrical and luminous. Though he has sold 70 stories to the New Yorker and published two novels, his work has not brought him the recognition it should have. In "The Italian Class," the teacher muses, "Why publish or write? Why try to make a work of art of words, notes, colors or clay?" Perhaps the art evident in these stories can help explain why. *
6 of 6 people found the following review helpful.
Arturo Vivante A Master of the art of the short story
By Harriet Miller
Solitude and Other Stories by Arturo Vivante
Vivante, a master story teller, his tales often thinly disguised autobiography
are set in Italy, the U.S and in Canada; some were published in The New Yorker Magazine and other places but never before collected into a book. I had not read them before. His stories are tightly constructed little gems to be read for the pleasure of language, theme and what I think of as set up. I love the way he introduces each story with interesting information about for example, the catamaran, the making of maple syrup, the beauty of older women, but until the end one doesn't learn why we needed to know. Vivante's stories are instructive for any would-be writer of short stories and lover of fine literature. I'm reading them for a second time.
0 of 0 people found the following review helpful.
Five Stars
By Celia
Sweet book.
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